- #Soft matte shadow palette lens blur how to
- #Soft matte shadow palette lens blur full
- #Soft matte shadow palette lens blur free
Simply drag the Radius slider to the right to increase the amount of blurring that's applied to the image. The Radius option works exactly the same here as it does in the Gaussian Blur filter. To do that, simply click inside the checkbox to the left of the word Invert.
In my case, this means the woman's face will remain in focus while everything else becomes blurred. Of course, as we just pointed out, we need to tell Photoshop to invert our depth map so that the area we selected is the area that remains in focus.
#Soft matte shadow palette lens blur how to
For the Depth Map, make sure that Alpha 1 is selected so Photoshop uses the selection we made to determine how to blur the image. You can safely ignore every option except for two of them - the Depth Map option that we just talked about a moment ago and the Radius option. This brings up the Lens Blur dialog box, which consists of a large preview area on the left and a bunch of potentially confusing options along the right. Go up to the Filter menu at the top of the screen, choose Blur, and then choose Lens Blur: We're going to create our depth of field effect at this point, and we're going to do it using Photoshop's Lens Blur filter. Now that we're back in the Layers palette, make sure you have "Layer 1" selected (the currently selected layer is highlighted in blue). Switch back over to your Layers palette to continue. We'll need to tell Photoshop to invert our depth map in the Lens Blur filter's dialog box, and we'll see how to do that in a moment. The black area is where we want to apply the blurring!" You're absolutely correct. If you were paying attention there, you may be thinking "Wait a minute, isn't that exactly the opposite of what we want? You said black areas remain in focus while white areas are blurred out, but in the alpha channel we just created, it's the white area that we want to keep in focus, not the black area. Areas that fall between pure black and pure white, such as the transition area around the selection edges, will be blurred to a lesser degree depending on how light or dark they are. Any areas in the depth map that are pure black remain 100% in focus while areas that are pure white are completely blurred out.
A depth map is simply a grayscale (black and white) image that Photoshop uses with the Lens Blur filter to decide which parts of the image to blur out and by how much. This is important because in a moment, we're going to be using this black and white alpha channel we've created as a depth map for the Lens Blur filter. MICA, ISOSTEARYL PALMITATE, NYLON-12, ZINC STEARATE, LAUROYL LYSINE, SILICA, CAPRYLYL GLYCOL, PHENOXYETHANOL, CAMELLIA JAPONICA SEED OIL, HYDROGENATED POLYISOBUTENE, DIMETHICONE, HEXYLENE GLYCOL, TOCOPHEROL, TIN OXIDE, PALMITIC ACID, TRIETHOXYCAPRYLYLSILANE, BENZOIC ACID, BORON NITRIDE, METHICONE,, CHROMIUM OXIDE GREENS (CI 77288), IRON OXIDES (CI 77491, CI 77492, CI 77499), FERRIC FERROCYANIDE (CI 77510), MANGANESE VIOLET (CI 77742), TITANIUM DIOXIDE (CI 77891)].The saved selection becomes a new "Alpha channel" in Photoshop's Channels palette. TALC, LAUROYL LYSINE, SYNTHETIC FLUORPHLOGOPITE, ZINC STEARATE, MICA, NYLON-12, HDI/TRIMETHYLOL HEXYLLACTONE CROSSPOLYMER, POLYMETHYL METHACRYLATE, DIMETHICONE, ISOSTEARYL PALMITATE, BORON NITRIDE, ISONONYL ISONONANOATE, CAMELLIA JAPONICA SEED OIL, CAPRYLYL GLYCOL, PHENOXYETHANOL, HEXYLENE GLYCOL, TOCOPHEROL, POLYPERFLUOROMETHYLISOPROPYL ETHER, METHICONE, SILICA. MICA, TALC, MINERAL OIL/PARAFFINUM LIQUIDUM, ZINC STEARATE, CALCIUM ALUMINUM BOROSILICATE, SILICA, SYNTHETIC FLUORPHLOGOPITE, ISOSTEARYL PALMITATE, CAPRYLIC/CAPRIC TRIGLYCERIDE, LAUROYL LYSINE, DIMETHICONE, CAPRYLYL GLYCOL, PHENOXYETHANOL, TIN OXIDE, HEXYLENE GLYCOL, TRIETHOXYCAPRYLYLSILANE, HYDROGENATED POLYISOBUTENE, BORON NITRIDE, PALMITIC ACID, BENZOIC ACID, POLYPERFLUOROMETHYLISOPROPYL ETHER, METHICONE.
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#Soft matte shadow palette lens blur free
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